Of course, this example is extreme, so don’t take it too seriously. The result is a repetition of the same duck, with the same pose, shading, etc.Īlso, this image lacks compositional balance and atmospheric perspective, which might be fixed quite easily just by practicing the fundamentals. In the image below, you’ll find an illustration of this idea: let’s say a beginning artist used a tutorial to find out how to draw a duck, but couldn’t figure out how to apply any changes to the bird. If an artist is too attached to the step-by-step method, simply changing the pose of an object may leave them without any clue as to how to draw it. This system can then be applied to any subject that you wish. The most effective form of tutorials teaches an artist a system that includes the techniques, their connection to the core principles of drawing, and the way of making certain decisions based on that connection. This risk is real because an artist may have a perception of practice, which in reality, is only a waste of time without much real progress. However, is it true that, for example, drawing a fish is totally different than drawing a flower? The danger of tutorials is that following them exactly as they are may create an isolated, limited style of thinking – just as if every subject required a separate set of unique actions. ![]() But is it the only way? Is it the most effective way? In other words, we can see how a specific person demonstrates their specific way to draw something through a tutorial. There are always many possible ways to draw this thing or that, depending on the lighting conditions, the environment, the positioning, posture, and other variables. Even the art supplies are quite specific for each tutorial! This means that we have a specific topic/object that we are going to study, a specific arrangement, light and shadow pattern, color combinations, textures, etc. In the case with drawing, this method presents both an advantage and the drawback: tutorials are specific. In doing so, the learner is confident that following the process is… ![]() This sequence of steps should be presented both visually and logically. Its purpose is to give us a basic understanding of how to transform something complex into a set of smaller and simpler chunks. To put it simply, a tutorial is a set of instructions on how to perform a task. The Pitfalls of Drawing Tutorials “It’s the One and Only Way” The point of this article is to provoke thought, and hopefully, make your learning process faster and more effective. There are many nuances and every situation is unique. It’s worth mentioning that the topic of this article is controversial. I’ll also share several keys to an effective and balanced practice. In this article, we’ll explore the pros and cons of step-by-step tutorials. It seems that there is nothing wrong with this way, but it may lead an artist into a trap.ĭo you feel like copying the step-by-step process of other artists keeps you from making a real progress? ![]() Many beginning artists start their creative journey by following numerous tutorials, focusing on this activity of consuming information and practicing. They use a notable feature of the human mind – the ability to learn through repetition of someone else’s actions. ![]() They usually are quite easy to understand due to the small portions of information for each step. To be honest, some tutorials are stellar – their in-depth approach and attention to detail is amazing! It’s possible to learn a lot of great tips just by observing how an artist has created his/her art.Īs an educational resource, drawing tutorials seem fascinating. Step-by-step tutorials are a habitual part of this system – we see them everywhere, especially on blogs and websites about visual art techniques and creativity. It seems that these days, we have everything to improve at our disposal, right at our fingertips. There are various schools and courses, both online and offline classes, books and magazines. There are many resources out there on drawing. Are Step-By-Step Drawing Tutorials Holding You Back?
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